Techniques Bass Guitar

The first step to sight reading is to know the notes within the staff.

Some music books use phrases like Good Boys Don't Fight (G B D F) and All Cows Eat Grass (A C E G).

For me, I recognize by chords.

G B D F is a G7 chord and A C E G is an Am7 chord.

Whichever works for you, use it.

Start reading something simple before going into complicated rhythms.

Cheers

Chord Substitution is common in our music today.

We can replace a chord with another related chord.

Often the substituted chord differs by one or two notes from the original chord.

Before you read this post, it will be good to take a look at my previous lesson - Introduction to Chords Substitution

For example, we can replace an Am7 chord with a Fmaj7 chord.

The notes in the Am7 chord are: A C E G

In the Fmaj7 chord the notes are: F A C E

There is only one note difference between these two chords.

If we have an Em7 chord, we can replace it with a Cmaj7 chord.

You can also replace the Em7 chord with a Gmaj7 chord.

The notes in the Em7 are: E G B D and G B D F# for Gmaj7.

Again the difference is only in one note. You can call this a relative chord.

Hope this helps.

Recently I bought an effect pedal and realize that the adapter that comes with it supply only 120v but my country uses 220-240v.

To get a transformer to step up could be quite troublesome and bulky.

I found out that we can use an Universal 9 Volt DC Power Supply.

The auto-sensing circuitry runs off 100-240 volts and can use it anywhere in the world.

Take up only one outlet space and makes it easy to travel.

You can check out '1 Spot' by Visual Sound or 'Power All' by Godlyke.

Hope this information is useful.

Hi,

The exercise below is an alternate way to practice the G major scale.

Sometimes when you improvise in the key of G, this pattern can be quite useful.





This will help you to be more familiar with the fretboard.

You can practice playing backward as well.

Have fun

Dear all,

This video by Russ Rodgers is a good introduction for beginners who are deciding what basses to get.



Hope this is helpful

Cheers

Hi,

The dominant chord is very common in most genre of music like blues, funk and gospel.

It is important as bass player to know the pattern and notes of a chord.

The chart below shows the notes in a C7 Arrpegio.






The notes in a C7 chord are C (root) E (3rd) G (5th) Bb (b7).

Practice this pattern and slowly move up the frets to find the other notes in the chord.

Have fun.

Dear friends,

If G is "I", the "V" is D

If D is "I", A is the "V"

The exercise below is useful when you are playing a lick in G.






All the notes are from the G major scale.

From the G on the 3rd fret of the E string to the G on the 12th fret of the G string.

Try this out and play some variation.

Cheers

Hi,

There are many ways to sound fast in your bass playing but what I would like

to share is to make use of the open hammer-on.

You may like to use your thumb (slap) to play this exercise.

----------------------------------------
-----------------0-5-7-----------------
---------0-5-7----------0-5-7---------
-0-5-7-------------------------0-5-7--

The above is a simple Em Pentatonic Scale.

Use your thumb to strike the string, than you can use your left index finger to fret the note followed by the hammer-on using your ring finger.

Have fun.

Hi,

There are some players who are confuse with the 9th chord and I hope to explain clearly here.

The notes in a C major scale are - C D E F G A B C ( 1 2 3 4 5 6 7 8(1) )

The notes in a Cmaj 7 chord are - C E G B (1 3 5 7)

The notes in a C7 chord are - C E G Bb (1 3 5 b7)

To play a 9th chord, it is simple.

For a Cmaj 9, the notes are - C E G B D (2+7 =9)

For a C9 , the notes are - C E G Bb D

So do not mix up Cmaj9 and C9.

Hope this helps.

Cheers

Hi,

A paradiddle is a drum rudiment which consist of a four-note pattern of the form Right Left Right Right(RLRR) or LRLL.

This pattern can help us improve our rhythmic and percussive style of slapping.

Let's try this pattern on the bass where "R" is your right hand slap thumb and "L" is using your left hand to slap the fretboard.

Slapping with your left hand on the fretboard requires some practicing.

Now try the pattern RLRR LRLL and repeat it.

To get the percussive feel, mute all the notes.

Once you are more comfortable, you can increase the speed.

Experiment and you will be surprise what you can do.

Cheers

Hi,

Very good bass players in this video.

Enjoy.

Hi,

I find the below exercise useful to practice ghost note.

Ghost notes are muted notes that can be achieve when you lightly touch the fretboard
with your left hand and pluck/slap/pop with your right hand.

Practice the exercise with plucking first than slap. The "X" is the ghost note.

Make sure the harmonics do not ring out.





Enjoy

Thank You Jesus

Hi,

Another easy and cool funk groove for you to practice and apply.






You can shift the pattern to suit the chords played.

For the above example, get your musician to play an A and D chord (1 4 progression)

Have fun.

Hi,

Power chords is the most used chords on guitar and can be used on Bass as well.

The best thing about power chord is that the fingering is the same for major or minor chords.

You can choose to pluck, slap or strum the chords on the bass.

Just play the root and the 5th. e.g. C power chord = C + G

Below is a 6 4 1 5 chord progression in key of C.

Some of you might find this tune familiar :)






Have fun.

Hi,

A simple slow funk exercise where you can repeat over and over again.







Don't rush and try to feel the groove.

Have fun.

Hi,

This bassline make use of 9th. Get your friend to play a G chord and C chord.






Have fun.

Hi,

This G major Scale Octave exercise can help you to practice for Stanley Clarke's "School Day".

First you try to play it using finger style, next move to slapping and popping.






When you pop, try to keep the note short.

Try to practice it with a drum machine or metronome.

Have Fun.

It was my privilege to witness the historical assemblage of Stanley Clarke, Marcus Miller and Victor Wooten in their once-in-a-lifetime Asian tour.

Nothing beats watching them real live on stage.

Most of the songs played were from their Thunder album.

I personally enjoyed Marcus's bass clarinet playing and slapping tone, Victor's looping solo and Stanley's double bass percussive slap and solo.

The show ended with the famous "School Day" tune where the whole audience stood up and clap along.

I believe most musicians that attended the concert is further motivated to bring music to a higher level.

Cheers

Hi,

Another scale that you may want to consider having in your toolbox is the Melodic Minor Scale.

The notes in the C Major Scale - C D E F G A B C (you should know by now :))

The formula for Melodic Minor Scale - 1 2 b3 4 5 6 7 1(8) = C D Eb F G A B C

We can apply this scale on a minor chord but preferably not on a minor 7 chord. Try it on a Minor Maj7 Chord.

You can also apply the C Melodic Minor Scale on the (V7) which is G7 in the key of C

The notes in a G7 = G B D F, which are also inside the C Melodic Minor Scale.

You can try the D Melodic Minor Scale, F Melodic Minor Scale and the Ab Melodic Minor Scale.

Have fun.